Category Archives: Fake News

William Blum: Anti-Imperial Advocate

In the incessant self-praise of the US imperial project, kept safe in a state of permanently enforced amnesia, occasional writings prod and puncture.  Mark Twain expressed an ashamed horror at the treatment of the Philippines; Ulysses Grant, despite being a victorious general of the Union forces in the Civil War and US president, could reflect that his country might, some day, face its comeuppance from those whose lands had been pinched.

In the garrison state that emerged during the Cold War, the New Left provided antidotes of varying strength to the illusion of a good, faultless America, even if much of this was confined to university campuses.  Mainstream newspaper channels remained sovereign and aloof from such debates, even if the Vietnam War did, eventually, bite.

The late William Blum, former computer programmer in the US State Department and initial enthusiast for US moral crusades, gave us various exemplars of this counter-insurgent scholarship.  His compilation of foreign policy ills in Rogue State: A Guide to the World’s Only Superpower, was written with the US as sole surveyor of the land, all powerful and dangerously uncontained.  To reach that point, it mobilised such familiar instruments of influence as the National Endowment for Democracy and the School of the Americas, a learning ground for the torturers and assassins who would ply their despoiling trade in Latin America.  The imperium developed an unrivalled military, infatuated with armaments, to deal with its enemies.  Forget the canard, insists Blum, of humanitarian intervention, as it was espoused to justify NATO’s bombing of Yugoslavia in 1999.

His Killing Hope: US Military and CIA Interventions since World War II, remains his best and potently dispiriting affair, one in which Washington and its Christian warriors sought to battle the “International Communist Conspiracy” with fanatical, God-fearing enthusiasm.  In this quest, foreign and mostly democratically elected governments were given the heave-ho with the blessings of US intervention. Food supplies were poisoned; leaders were subjected to successful and failed assassinations (not so many were as lucky as Cuba’s Fidel Castro); the peasantry of countries sprayed with napalm and insecticide; fascist forces and those of reaction pressed into the service of Freedom’s Land.

The squirreling academic, ever mindful of nuts, has been less willing to embrace Blum. This has, to some extent, been aided by such curious instances as the mention, by one Osama bin Laden, of Rogue State in a recording that emerged in 2006.  “If I were president I could stop terrorist attacks against the United States in a few days. Permanently.”  Sales surged at this endorsement from the dark inspiration behind September 11, 2001. “This is almost,” observed Blum wryly, “as good as being an Oprah book.”

Killing Hope, praised by various high priests in academe on its initial release in 1986, morphed.  Various extensions and additions were not approved.  Blum, considering the US in its vicious full bloom of the post-Cold War, saw the wickedness of the market in Eastern European countries, the hand of US power in sabotaging negotiations between the Muslims, Croats and Serbs in Bosnia that led to an ongoing murderous conflict, and ongoing mischief in the Middle East (the Syrian conflict, sponsored jihadists).

Much of this, admittedly, finds an audience, if only for the fact that it excuses, to some extent, local factors and failings.  Students of imperial history tend to forget the manipulations of local elites keen to ingratiate themselves and sort out problems with the aid of a foreign brute.  It is worth pointing out that, in the vastness of US power, a certain incompetence in exercising it has also prevailed.

But the groves of the academy have tended to sway away from Blum for many of the usual reasons: tenure, security and treading carefully before the imperium’s minders.  “It merits mention,” poses Julia Muravska, very keen to mind her P’s and Q’s before the academic establishment as a doctoral candidate, “that after the release of the last majorly revised edition in 1995, successive versions of Killing Hope have largely passed under the radar of mainstream punditry and academia, but remained stalwartly cherished not only in left-leaning circles, but also amongst conspiracy theorists and fringe commentators.”

Such is the damning strategy here: to be credible, you must wallow in mainstream acceptance and gain acknowledgment from the approving centre; to be at the fringe is to not merely to be unaccepted but unacceptable.  Amnesia is a funny old thing.  While Blum’s scholarship at points had the failings of overstretch, a counteracting zeal, his overall polemics, and advocacy, were part of a tradition that continues to beat in an assortment of publications that challenge the central premises of US power.

Much of Blum’s takes remain dangerously pertinent.  “Fake news” has assumed a born-again relevance, when it should simply be termed measured disinformation, one that the CIA and its associates engaged in, and still do, with varying degrees of success.  The Russians hardly deserve their supposed monopoly on the subject, though they are handy scapegoats.

Blum did well to note an absolute pearler by way of example: the efforts of the CIA’s Office of Policy Coordination and the US Post Office to solicit a letter writing campaign in 1948 to influence the course of Italy’s 1948 elections.  American Italians, or so it was thought, were mobilised to swamp the mother country with warnings of atheistic communism and the threat it posed to Catholic authority.  Should Italy turn red, US largesse and aid would stop flowing to a country still suffering from the ills of war.  Italians known to have voted communist would not be permitted to enter the US.

Some individuals, guided by samples run in newspapers, offered specimens, but it soon became a campaign featuring “mass-produced, pre-written, postage paid form letters, cablegrams, ‘educational circulars’ and posters, needing only an address and signature.”  Italian political parties, generally those of centre, could count on the CIA for a helpful contribution.

Empire remains a terrible encumbrance, draining and ruining both the paternal centre and its patronised subjects. It is a salient reminder as to why Montesquieu insisted on the durability of small republics, warning against aggrandizement.  Doing so produces the inevitable, vengeful reaction.  As Blum surmised, “The thesis in my books and my writing is that anti-American terrorism arises from the behaviour of US foreign policy.  It is what the US government does which angers people all over the world.”  To that end, his mission, as described to the Washington Post in an interview in 2006, has been one of, if not ending the American empire, then “at least slowing down” or “injuring the beast.”

In Defense of ‘Conspiracy Theories’: From ‘Fake News’ to the Art World

To remain innocent may also be to remain ignorant.
― John Berger, Ways of Seeing

This November 22nd marked fifty-five years since the assassination of John F. Kennedy. Perhaps no other major incident in U.S. history has generated more uncertainty and skepticism towards its official account than his Dallas killing in 1963. A 2013 Gallup poll showed that a clear majority of Americans still doubt the Warren Commission’s determination that Lee Harvey Oswald acted alone as the accused sniper, with many suspecting that others in government and organized crime were involved in a secret plot to kill the president. Although its etymological origins can be traced back further, as a cultural phenomenon the notion of belief in so-called ‘conspiracy theories’ is widely attributed to a surge in distrust of government and media institutions that followed JFK’s murder. Perhaps its only rival would be September 11th, which surveys have similarly indicated a trend of doubt towards the 9/11 Commission Report’s version of events leading up to the attacks in 2001. In other words, most people believe in a major conspiracy theory — yet they generally remain a mark of disgrace and public ridicule.

At no point in time have conspiracy theories been as stigmatized as in the wake of the 2016 U.S. election. Incidentally, what is classified as such is no longer consigned to the societal fringe or ever been more popular. It is alleged that the spreading of “fake news” on social media, featuring debunked viral conspiracies like Pizzagate, was what tipped the voting scales in Donald Trump’s favor. Or was it the very real conspiracy revealed in leaked emails published by WikiLeaks that the Democratic National Committee rigged the party primary for Hillary Clinton? We’re supposed to consider that fake news too, apparently. Regardless, what is consistently never addressed is the reasons why people turn to unofficial narratives because it would require the media to address its own negligence to hold those in power to account.

An examination of the media‘s systemic failure would draw attention to its actual role in society as a tool of mass persuasion on behalf of the ruling elite. Perhaps if the official doctrines of the over-staged Warren and 9/11 Commission Reports were not treated as articles of faith, people wouldn’t be suspicious of a rogue shadow government hidden behind such obvious dog-and-pony shows. If there is no incriminating evidence in the JFK files, why on earth is the public forbidden to see them half a century later? Instead, it is the working class who are demonized for expressing the human need to grasp the social totality denied by a corporate-controlled media that performs the opposite of its expected function. They are left with no choice but to fill in the enormous blanks left gaping by a press in service of the status quo and a government with no transparency. It is always the people who are blamed for the media’s failure to do its job.

The same can be said across the pond or for the West in general. Look no further than a recent article in British newspaper The Guardian alleging that “60% of Britons believe in conspiracy theories.” Its definition of ‘conspiracy’ is so broad that it doesn’t simply refer to beliefs about UFOs or the moon landing, but a general distrust of institutions, official narratives and authority figures in any form. The article then conflates Brexit voters who hold anti-immigrant views with anyone polled who believes that the world is run by a secret global cabal of people who control events together”, and then almost comically states “the most widespread conspiracy belief in the UK, shared by 44% of people, was that ‘even though we live in what’s called a democracy, a few people will always run things in this country anyway.’” That is to say, The Guardian regards a view generally held by most rational people with an accurate understanding of life under capitalism as a ‘conspiracy’ belief equivalent to racism. The article even concludes thatdistrust of company bosses”, a feeling unsurprisingly held by three-fourths of those surveyed, falls under the label of a conspiracy view. Yes, clearly anyone who doesn’t love their oppressors is in equal standing with bigots who want to leave the EU. The world’s self declared ‘leading liberal voice’ is a guardian of power, indeed.

The term ‘conspiracy theory’ itself is a weapon. Its use is so ubiquitous that it automatically implies unconvincing improbability and worthiness of dismissal. How and when did it come to be so widely dispersed in the cultural lexicon? In the 1970s, the CIA had been the subject of numerous scandals with disclosures about its activities ranging from meddling in the affairs of sovereign countries to administering mind-control experiments on citizens in MK-ULTRA. The revelations about its clandestine influence on the press was yet another divulgence. It turns out that a likely possibility for the genesis of the phrase ‘conspiracy theory’ and its far-reaching dissemination was revealed in an important 1976 Freedom of Information Act (FOIA) request by The New York Times in CIA Document 1035–960. The dispatch showed that by the late 1960s, the spy agency was so worried about pervasive skepticism toward the Warren Commission ruling that it issued a bulletin to its elite liaisons in the press to quell subversion. Entitled “Concerning Criticism of the Warren Report”, the communique encouraged the fourth estate to discredit doubters by spreading propaganda. It specifically employed the term while stressing the need to rein in dissenting opinion among journalists and the public:

Just because of the standing of the Commissioners, efforts to impugn their rectitude and wisdom tend to cast doubt on the whole leadership of American society. Moreover, there seems to be an increasing tendency to hint that President Johnson himself, as the one person who might be said to have benefited, was in some way responsible for the assassination. Innuendo of such seriousness affects not only the individual concerned, but also the whole reputation of the American government. Our organization itself is directly involved: among other facts, we contributed information to the investigation. Conspiracy theories have frequently thrown suspicion on our organization, for example by falsely alleging that Lee Harvey Oswald worked for us. The aim of this dispatch is to provide material countering and discrediting the claims of the conspiracy theorists, so as to inhibit the circulation of such claims in other countries.

Whether or not the specific document’s usage of the label is directly attributable to its subsequent omnipresence in the cultural vocabulary is beside the point. It was yet another example of the CIA’s efforts to engineer public opinion with media bias and disinformation, ordering its recruits to “employ propaganda assets to [negate] and refute the attacks of the critics. Book reviews and feature articles are particularly appropriate for this purpose.” Only on occasion does an event like the Kennedy assassination occur where the deep state’s savage nature is glimpsed by the public at large, if only for a brief moment. Such instances require a counterintelligence response if the majority is to stay plugged into the matrix.

The unpleasant truth is that the 35th U.S. President became so despised by the most right-wing and militarist elements in the intelligence apparatus — provoked by his perceived treachery in diplomacy toward Cuba and placation of the Soviet Union following the foreign policy disasters of the Cuban Missile Crisis and Bay of Pigs and apparent desire to deescalate the war in Vietnam — that they most likely removed him in a coup. The extent to which Kennedy was sincere in those efforts is another matter, although it was confirmed in declassified documents last year that he had rejected the proposed Operation Northwoods which would have carried out ‘false flag’ bombings in Miami to be blamed on Fidel Castro which shockingly made it all the way up the chain of command past the Joint Chiefs of Staff for approval. Why is it outlandish for people to suspect they could have done something similar on 9/11?

For Americans to learn the ugly facts behind JFK’s murder, plausibly located in the more than 15,000 documents still concealed from public view, would destroy the foundations of the national security state and the establishment it safeguards. It is on this basis that for more than half a century, corporate-owned media has stifled the multitude of admissions about the assassination brought to light, even when they’ve come from Hollywood movies. What we are witnessing today in the Russiagate fiasco with the “fake news” PSY-OP is an updated version of the CIA’s enlistment of the media following the JFK assassination to orchestrate public opinion which made the phrase ‘conspiracy theory’ a universal pejorative.

Coincidentally, currently on view at the Metropolitan Museum of Art’s Breuer satellite location in New York is the exhibition Everything is Connected: Art and Conspiracy. The show covers more than fifty-years of artists working in painting, sculpture, photography, collage, video and installations addressing a variety of themes ranging from secret torture at CIA black-sites to COINTELPRO to Henry Kissinger’s role in ‘the first 9/11’, the September 1973 coup in Chile which ousted Salvador Allende and installed Augusto Pinochet and Milton Friedman’s Chicago Boys. There are many provocative pieces in the show, such as a Calder-like sculpture of Iraqi oil fields exploring imperialism to an abstract painting suggesting that the WTC towers could have been destroyed by controlled demolition using planted super-thermite explosives.

The timing of such an exposition immediately prompts curiosity. One would assume that the Met was capitalizing on the unprecedented popularity of conspiracies with the “fake news” phenomenon surrounding the Trump presidency, but apparently the lead curator conceived of the show concept a decade prior. Nevertheless, for one of the biggest and wealthiest museums in the world founded by robber barons to permit such a showcase still required a selling point which came in the form of its marketability to satisfy the public’s palate for kitsch. Leaving that aside, however, the content of the exhibit is admittedly of bona fide quality, featuring everything from Black Panther graphic designer Emory Douglas to the late conceptual artist Mike Kelley.

The Kennedy assassination is featured heavily as a spectral motif and the first pieces visitors encounter are two striking neon-colored paintings of Lee Harvey Oswald and his assassin, Jack Ruby, by New York-based artist Wayne Gonzales which sets an ominous tone. Although the individual works of the inspired show are of high caliber, its main shortcoming is the sensationalized presentation. Despite seemingly authentic intentions, it inevitably institutionalizes the idea that when two-thirds of Americans reject the official story of a Kennedy assassination or 9/11, it is ultimately still just a ‘conspiracy.’ Although the exhibit itself is not as culpable as the surrounding cultural context in which it has appeared, it ultimately reifies that what is construed as hypothetical and imaginary conjecture (in the case of the JFK assassination a legitimate consensus) only merits attention as something tacky or niche to be appreciated ironically.

This is particularly advantageous to the establishment at the present moment which is relentlessly selling the naïve idea that we are now living in a “post-truth” era, as if prior to the Trump administration we were in a glory age of ‘truth.’ In order for art to portray such subject matter and be given a platform, it cannot avoid being allocated as novelty of unrefined taste by such a powerful institution. A podcast interview with the gallery curators revealed that one of the artists featured in the show, Hans Haacke, had to earn their trust as he was hesitant to participate in the show because he didn’t wish his work “to be associated with fiction.” Perhaps for related reasons, the curators refreshingly chose to omit the term ‘theory’ from the title while providing a thorough investigation of such themes by artists which reveal what they describe as “conspiracies that turned out not be theories at all, but truths.”

While everyone is aware of the intimate relationship between the art world and the ultra-wealthy benefactors of its museums, less familiar is its history with the CIA. As part of its psychological warfare during the Cold War, the agency spent millions promoting Modern Art, particularly the Abstract Expressionists like Jackson Pollock and Willem de Kooning, a fact only briefly mentioned by the gallery text of the exhibit. The CIA saw the aesthetic individualism and free form style of Abstract Expressionism as emblematic of Western values of ‘freedom of expression’ in antithesis to the socialist realism of the Soviet Union. The CIA provided covert financial support through the establishment of phony foundations with innocuous names that secretly subsidized exhibitions. The primary front organization was the Congress for Cultural Freedom (CCF) whose leading operative was CIA officer Thomas Braden. Braden was even selected as the executive secretary of the Museum of Modern Art (MoMA) in New York by Nelson Rockefeller as he oversaw the CIA’s hush-hush cultural activities in the CCF. He would later go on to become a columnist and co-host of CNN’s Crossfire.

The CIA did not just work stringently to relegate leeriness of its activities under a catch-all misnomer at the low brow level. The Congress for Cultural Freedom’s ideological weaponry even extended to the level of high intellectual theory for its gatekeeping. The CCF and other front groups like the Farfield Foundation secretly sponsored literary magazines such as Commentary and The Paris Review as an effort to redirect the sympathies of the non-communist left in the West away from the Soviet Union toward liberal democracy. Another literary publication that received undercover sponsoring from the CCF was the British-based Encounter magazine, founded by the essayist and intellectual Irving Kristol who later became the “godfather of neo-conservatism” and real life father of ultra-hawk pundit Bill Kristol of The Weekly Standard. During the 1930s, as a college student Irving Kristol was a member of the New York Intellectuals, a group of Jewish literary critics and writers who mostly were Trotskyists that embraced left-wing politics but were staunchly opposed to the Soviet Union under Stalin. These included prominent figures such as Isaiah Berlin, Irving Howe and Hannah Arendt who over time moved to the center and became liberals, or in the case of Kristol eventually further to arch-conservatism.

The intellectual voyage from Trotskyism to neoconservatism was a common thread throughout the 20th century, from David Horowitz to the late Christopher Hitchens. Irving Kristol and his intellectual circle were funded by the CIA in order to influence the political leanings of their cohorts in the European left to move toward liberal democracy and away from communism which fractured the left as a whole. To great effect, this split coalitions between social democratic and communist parties across Europe. If European leftists weren’t swayed by the CIA-sponsored intelligentsia, they were likely discouraged from holding any remaining Soviet sympathies by the ‘false flag’ terrorist attacks carried out during Operation Gladio in NATO-member countries by recruited fascist paramilitaries which were falsely blamed on communist organizations to tarnish their reputations.

Along with the FBI’s COINTELPRO program, the consequences of the CIA’s clandestine activities from the arts to the intelligentsia can be seen in the dominant pseudo-left of today which has further degenerated into excessive preoccupation with toothless reformism and fetishization of gender and race-based identity politics. If the current generation of resolute Marxists are looking to place blame for the dominance of incrementalist politics emphasizing gradual change through existing institutions that has infected the entire left, they shouldn’t be shocked to learn much of it lands on the world’s most powerful spy agency during the Cold War. The CIA wasn’t just in the business of overthrowing democratic leaders of third world nations for Western business interests but equally engaged in cloak-and-dagger cultural operations which successfully altered the focus of leftist politics away from transformative anti-capitalist positions toward centrist liberal stances. To this day, the reverberations of these PSY-OPs can be felt in the contemporary left’s neglect and obfuscation of issues like imperialism and the class struggle. Without knowing this history, one can only have a vague understanding of how the left came to be what it is at present. The military-intelligence complex’s manipulation of the art world is incontrovertible fact, not a fanciful story, and it was just one element of a larger cultural campaign to splinter the Western left.

As the exhibit aptly points out, often what are designated as conspiracy theories in bygone times become indisputable facts years later. If there is now an abundant market for misinformation online exploiting the appetite of a public disillusioned by establishment media in desperate search of an alternative, the presstitutes only have themselves to blame. Claims on the right-wing margins about school shootings being hoaxes will never even begin to approach the irreparable damage done by every major news outlet in the country selling the lies of the Bush administration that Saddam Hussein had Weapons of Mass Destruction to go to war in Iraq, not just to the millions of human lives lost but the trust of the masses in the mass media orthodoxy. The same can be said about their unwillingness to truly investigate the Kennedy assassination and 9/11. Following the 2016 election, the censorship campaign by social network giants against alternative media under the banner of stopping the spread of “fake news” can be seen as confirmation of the effectiveness of real independent journalism and its growing audience. Otherwise, it would not provoke such suppression. This development can either disenchant those hungry for the truth or be interpreted as a positive sign for the future, that people are starting to resist drinking the kool-aid— for now let’s choose the latter.

• Everything is Connected: Art and Conspiracy is on view at the Met Breuer until January 6th, 2019.

In Defense of ‘Conspiracy Theories’: From ‘Fake News’ to the Art World

To remain innocent may also be to remain ignorant.
― John Berger, Ways of Seeing

This November 22nd marked fifty-five years since the assassination of John F. Kennedy. Perhaps no other major incident in U.S. history has generated more uncertainty and skepticism towards its official account than his Dallas killing in 1963. A 2013 Gallup poll showed that a clear majority of Americans still doubt the Warren Commission’s determination that Lee Harvey Oswald acted alone as the accused sniper, with many suspecting that others in government and organized crime were involved in a secret plot to kill the president. Although its etymological origins can be traced back further, as a cultural phenomenon the notion of belief in so-called ‘conspiracy theories’ is widely attributed to a surge in distrust of government and media institutions that followed JFK’s murder. Perhaps its only rival would be September 11th, which surveys have similarly indicated a trend of doubt towards the 9/11 Commission Report’s version of events leading up to the attacks in 2001. In other words, most people believe in a major conspiracy theory — yet they generally remain a mark of disgrace and public ridicule.

At no point in time have conspiracy theories been as stigmatized as in the wake of the 2016 U.S. election. Incidentally, what is classified as such is no longer consigned to the societal fringe or ever been more popular. It is alleged that the spreading of “fake news” on social media, featuring debunked viral conspiracies like Pizzagate, was what tipped the voting scales in Donald Trump’s favor. Or was it the very real conspiracy revealed in leaked emails published by WikiLeaks that the Democratic National Committee rigged the party primary for Hillary Clinton? We’re supposed to consider that fake news too, apparently. Regardless, what is consistently never addressed is the reasons why people turn to unofficial narratives because it would require the media to address its own negligence to hold those in power to account.

An examination of the media‘s systemic failure would draw attention to its actual role in society as a tool of mass persuasion on behalf of the ruling elite. Perhaps if the official doctrines of the over-staged Warren and 9/11 Commission Reports were not treated as articles of faith, people wouldn’t be suspicious of a rogue shadow government hidden behind such obvious dog-and-pony shows. If there is no incriminating evidence in the JFK files, why on earth is the public forbidden to see them half a century later? Instead, it is the working class who are demonized for expressing the human need to grasp the social totality denied by a corporate-controlled media that performs the opposite of its expected function. They are left with no choice but to fill in the enormous blanks left gaping by a press in service of the status quo and a government with no transparency. It is always the people who are blamed for the media’s failure to do its job.

The same can be said across the pond or for the West in general. Look no further than a recent article in British newspaper The Guardian alleging that “60% of Britons believe in conspiracy theories.” Its definition of ‘conspiracy’ is so broad that it doesn’t simply refer to beliefs about UFOs or the moon landing, but a general distrust of institutions, official narratives and authority figures in any form. The article then conflates Brexit voters who hold anti-immigrant views with anyone polled who believes that the world is run by a secret global cabal of people who control events together”, and then almost comically states “the most widespread conspiracy belief in the UK, shared by 44% of people, was that ‘even though we live in what’s called a democracy, a few people will always run things in this country anyway.’” That is to say, The Guardian regards a view generally held by most rational people with an accurate understanding of life under capitalism as a ‘conspiracy’ belief equivalent to racism. The article even concludes thatdistrust of company bosses”, a feeling unsurprisingly held by three-fourths of those surveyed, falls under the label of a conspiracy view. Yes, clearly anyone who doesn’t love their oppressors is in equal standing with bigots who want to leave the EU. The world’s self declared ‘leading liberal voice’ is a guardian of power, indeed.

The term ‘conspiracy theory’ itself is a weapon. Its use is so ubiquitous that it automatically implies unconvincing improbability and worthiness of dismissal. How and when did it come to be so widely dispersed in the cultural lexicon? In the 1970s, the CIA had been the subject of numerous scandals with disclosures about its activities ranging from meddling in the affairs of sovereign countries to administering mind-control experiments on citizens in MK-ULTRA. The revelations about its clandestine influence on the press was yet another divulgence. It turns out that a likely possibility for the genesis of the phrase ‘conspiracy theory’ and its far-reaching dissemination was revealed in an important 1976 Freedom of Information Act (FOIA) request by The New York Times in CIA Document 1035–960. The dispatch showed that by the late 1960s, the spy agency was so worried about pervasive skepticism toward the Warren Commission ruling that it issued a bulletin to its elite liaisons in the press to quell subversion. Entitled “Concerning Criticism of the Warren Report”, the communique encouraged the fourth estate to discredit doubters by spreading propaganda. It specifically employed the term while stressing the need to rein in dissenting opinion among journalists and the public:

Just because of the standing of the Commissioners, efforts to impugn their rectitude and wisdom tend to cast doubt on the whole leadership of American society. Moreover, there seems to be an increasing tendency to hint that President Johnson himself, as the one person who might be said to have benefited, was in some way responsible for the assassination. Innuendo of such seriousness affects not only the individual concerned, but also the whole reputation of the American government. Our organization itself is directly involved: among other facts, we contributed information to the investigation. Conspiracy theories have frequently thrown suspicion on our organization, for example by falsely alleging that Lee Harvey Oswald worked for us. The aim of this dispatch is to provide material countering and discrediting the claims of the conspiracy theorists, so as to inhibit the circulation of such claims in other countries.

Whether or not the specific document’s usage of the label is directly attributable to its subsequent omnipresence in the cultural vocabulary is beside the point. It was yet another example of the CIA’s efforts to engineer public opinion with media bias and disinformation, ordering its recruits to “employ propaganda assets to [negate] and refute the attacks of the critics. Book reviews and feature articles are particularly appropriate for this purpose.” Only on occasion does an event like the Kennedy assassination occur where the deep state’s savage nature is glimpsed by the public at large, if only for a brief moment. Such instances require a counterintelligence response if the majority is to stay plugged into the matrix.

The unpleasant truth is that the 35th U.S. President became so despised by the most right-wing and militarist elements in the intelligence apparatus — provoked by his perceived treachery in diplomacy toward Cuba and placation of the Soviet Union following the foreign policy disasters of the Cuban Missile Crisis and Bay of Pigs and apparent desire to deescalate the war in Vietnam — that they most likely removed him in a coup. The extent to which Kennedy was sincere in those efforts is another matter, although it was confirmed in declassified documents last year that he had rejected the proposed Operation Northwoods which would have carried out ‘false flag’ bombings in Miami to be blamed on Fidel Castro which shockingly made it all the way up the chain of command past the Joint Chiefs of Staff for approval. Why is it outlandish for people to suspect they could have done something similar on 9/11?

For Americans to learn the ugly facts behind JFK’s murder, plausibly located in the more than 15,000 documents still concealed from public view, would destroy the foundations of the national security state and the establishment it safeguards. It is on this basis that for more than half a century, corporate-owned media has stifled the multitude of admissions about the assassination brought to light, even when they’ve come from Hollywood movies. What we are witnessing today in the Russiagate fiasco with the “fake news” PSY-OP is an updated version of the CIA’s enlistment of the media following the JFK assassination to orchestrate public opinion which made the phrase ‘conspiracy theory’ a universal pejorative.

Coincidentally, currently on view at the Metropolitan Museum of Art’s Breuer satellite location in New York is the exhibition Everything is Connected: Art and Conspiracy. The show covers more than fifty-years of artists working in painting, sculpture, photography, collage, video and installations addressing a variety of themes ranging from secret torture at CIA black-sites to COINTELPRO to Henry Kissinger’s role in ‘the first 9/11’, the September 1973 coup in Chile which ousted Salvador Allende and installed Augusto Pinochet and Milton Friedman’s Chicago Boys. There are many provocative pieces in the show, such as a Calder-like sculpture of Iraqi oil fields exploring imperialism to an abstract painting suggesting that the WTC towers could have been destroyed by controlled demolition using planted super-thermite explosives.

The timing of such an exposition immediately prompts curiosity. One would assume that the Met was capitalizing on the unprecedented popularity of conspiracies with the “fake news” phenomenon surrounding the Trump presidency, but apparently the lead curator conceived of the show concept a decade prior. Nevertheless, for one of the biggest and wealthiest museums in the world founded by robber barons to permit such a showcase still required a selling point which came in the form of its marketability to satisfy the public’s palate for kitsch. Leaving that aside, however, the content of the exhibit is admittedly of bona fide quality, featuring everything from Black Panther graphic designer Emory Douglas to the late conceptual artist Mike Kelley.

The Kennedy assassination is featured heavily as a spectral motif and the first pieces visitors encounter are two striking neon-colored paintings of Lee Harvey Oswald and his assassin, Jack Ruby, by New York-based artist Wayne Gonzales which sets an ominous tone. Although the individual works of the inspired show are of high caliber, its main shortcoming is the sensationalized presentation. Despite seemingly authentic intentions, it inevitably institutionalizes the idea that when two-thirds of Americans reject the official story of a Kennedy assassination or 9/11, it is ultimately still just a ‘conspiracy.’ Although the exhibit itself is not as culpable as the surrounding cultural context in which it has appeared, it ultimately reifies that what is construed as hypothetical and imaginary conjecture (in the case of the JFK assassination a legitimate consensus) only merits attention as something tacky or niche to be appreciated ironically.

This is particularly advantageous to the establishment at the present moment which is relentlessly selling the naïve idea that we are now living in a “post-truth” era, as if prior to the Trump administration we were in a glory age of ‘truth.’ In order for art to portray such subject matter and be given a platform, it cannot avoid being allocated as novelty of unrefined taste by such a powerful institution. A podcast interview with the gallery curators revealed that one of the artists featured in the show, Hans Haacke, had to earn their trust as he was hesitant to participate in the show because he didn’t wish his work “to be associated with fiction.” Perhaps for related reasons, the curators refreshingly chose to omit the term ‘theory’ from the title while providing a thorough investigation of such themes by artists which reveal what they describe as “conspiracies that turned out not be theories at all, but truths.”

While everyone is aware of the intimate relationship between the art world and the ultra-wealthy benefactors of its museums, less familiar is its history with the CIA. As part of its psychological warfare during the Cold War, the agency spent millions promoting Modern Art, particularly the Abstract Expressionists like Jackson Pollock and Willem de Kooning, a fact only briefly mentioned by the gallery text of the exhibit. The CIA saw the aesthetic individualism and free form style of Abstract Expressionism as emblematic of Western values of ‘freedom of expression’ in antithesis to the socialist realism of the Soviet Union. The CIA provided covert financial support through the establishment of phony foundations with innocuous names that secretly subsidized exhibitions. The primary front organization was the Congress for Cultural Freedom (CCF) whose leading operative was CIA officer Thomas Braden. Braden was even selected as the executive secretary of the Museum of Modern Art (MoMA) in New York by Nelson Rockefeller as he oversaw the CIA’s hush-hush cultural activities in the CCF. He would later go on to become a columnist and co-host of CNN’s Crossfire.

The CIA did not just work stringently to relegate leeriness of its activities under a catch-all misnomer at the low brow level. The Congress for Cultural Freedom’s ideological weaponry even extended to the level of high intellectual theory for its gatekeeping. The CCF and other front groups like the Farfield Foundation secretly sponsored literary magazines such as Commentary and The Paris Review as an effort to redirect the sympathies of the non-communist left in the West away from the Soviet Union toward liberal democracy. Another literary publication that received undercover sponsoring from the CCF was the British-based Encounter magazine, founded by the essayist and intellectual Irving Kristol who later became the “godfather of neo-conservatism” and real life father of ultra-hawk pundit Bill Kristol of The Weekly Standard. During the 1930s, as a college student Irving Kristol was a member of the New York Intellectuals, a group of Jewish literary critics and writers who mostly were Trotskyists that embraced left-wing politics but were staunchly opposed to the Soviet Union under Stalin. These included prominent figures such as Isaiah Berlin, Irving Howe and Hannah Arendt who over time moved to the center and became liberals, or in the case of Kristol eventually further to arch-conservatism.

The intellectual voyage from Trotskyism to neoconservatism was a common thread throughout the 20th century, from David Horowitz to the late Christopher Hitchens. Irving Kristol and his intellectual circle were funded by the CIA in order to influence the political leanings of their cohorts in the European left to move toward liberal democracy and away from communism which fractured the left as a whole. To great effect, this split coalitions between social democratic and communist parties across Europe. If European leftists weren’t swayed by the CIA-sponsored intelligentsia, they were likely discouraged from holding any remaining Soviet sympathies by the ‘false flag’ terrorist attacks carried out during Operation Gladio in NATO-member countries by recruited fascist paramilitaries which were falsely blamed on communist organizations to tarnish their reputations.

Along with the FBI’s COINTELPRO program, the consequences of the CIA’s clandestine activities from the arts to the intelligentsia can be seen in the dominant pseudo-left of today which has further degenerated into excessive preoccupation with toothless reformism and fetishization of gender and race-based identity politics. If the current generation of resolute Marxists are looking to place blame for the dominance of incrementalist politics emphasizing gradual change through existing institutions that has infected the entire left, they shouldn’t be shocked to learn much of it lands on the world’s most powerful spy agency during the Cold War. The CIA wasn’t just in the business of overthrowing democratic leaders of third world nations for Western business interests but equally engaged in cloak-and-dagger cultural operations which successfully altered the focus of leftist politics away from transformative anti-capitalist positions toward centrist liberal stances. To this day, the reverberations of these PSY-OPs can be felt in the contemporary left’s neglect and obfuscation of issues like imperialism and the class struggle. Without knowing this history, one can only have a vague understanding of how the left came to be what it is at present. The military-intelligence complex’s manipulation of the art world is incontrovertible fact, not a fanciful story, and it was just one element of a larger cultural campaign to splinter the Western left.

As the exhibit aptly points out, often what are designated as conspiracy theories in bygone times become indisputable facts years later. If there is now an abundant market for misinformation online exploiting the appetite of a public disillusioned by establishment media in desperate search of an alternative, the presstitutes only have themselves to blame. Claims on the right-wing margins about school shootings being hoaxes will never even begin to approach the irreparable damage done by every major news outlet in the country selling the lies of the Bush administration that Saddam Hussein had Weapons of Mass Destruction to go to war in Iraq, not just to the millions of human lives lost but the trust of the masses in the mass media orthodoxy. The same can be said about their unwillingness to truly investigate the Kennedy assassination and 9/11. Following the 2016 election, the censorship campaign by social network giants against alternative media under the banner of stopping the spread of “fake news” can be seen as confirmation of the effectiveness of real independent journalism and its growing audience. Otherwise, it would not provoke such suppression. This development can either disenchant those hungry for the truth or be interpreted as a positive sign for the future, that people are starting to resist drinking the kool-aid— for now let’s choose the latter.

• Everything is Connected: Art and Conspiracy is on view at the Met Breuer until January 6th, 2019.

This News is not fake

Any scanning of the headlines both in standard and critical postings, especially since the 2016 US elections, will suffice. In the interest of brevity, reference is made to almost any pages published concurrent with this remark.

All one of the anonymous speech controllers has to do is introduce some nifty expression and everyone takes it. Inventing such nifty language was once a business known by the sobriquet Madison Avenue. However, this ancient weapon of psychological warfare (against the general population) was industrialized, like mass slaughter, during World War I.1

Now “Fake”; e.g., “fake news” seems to be the slogan of the year. This is bizarre considering that most, if not all, so-called “news” is fabricated; i.e., “fake”. That means it does not tell anything except what the controlling editors (and ultimately the owners) want to have said.2 The ostensible event need not even have occurred.

In the echo chambers of the “Left” everyone accuses the Establishment — to which they are the logical complement — of spreading “fake” news. This implies that there is “news” spread which is not fake; i.e., perhaps “true”, a word to be treated with the greatest of caution.

Fowler3 would certainly have called this “vogue” language. Propaganda (or public relations/ advertising) does not acquire more substance, nor is there more precision in the fashionable term, “fake news”.

Simply sticking to the essence: fake news is just another term, a euphemism, for “lie” circulated by one or more elements of the mass media. The lie loses the quality of active deceit. Moreover the wide adoption of the term marks the user as someone “up to date”, part of the herd or swarm that reports about the reporting, while propagating the specious claim that journalism is something other than the commercial exploitation of voyeuristic or solipsistic text and image production.4

What does “fake” mean? Does the “news” lacks authenticity? Is the underlying event not genuine? Is the source false or fraudulent? Is the dissemination itself fraudulent? Were that the case, then the mere repetition of the “fake” is collaboration in the fraud, witting or unwitting. Although I do not have an attribution (but do not claim one), I recall reading somewhere in a discussion of counterfeiting luxury brands that the owners of the “genuine brand” actually benefit from the counterfeiting because it perpetuates the brand mystique and the quest for the real article among all the “fakes”.

Journalistic “truth”, despite all the raving about free press (i.e. free markets) and integrity, is a luxury product, a commodity, like any other. The more “news” sold but denounced as “fake”, the higher the value of the luxury brands whose “truth” need not be questioned. One of the principal qualities of a commodity is its ultimate and infinite substitutability.

  1. George Creel, How We Advertized America (1920).
  2. The newspapers of record in most countries are private property and always have been, the holy New York Times, the blessed Washington Post, the venerable (once Manchester) Guardian, just to name the most notorious. It is a testimony to the superficiality of critical thought in much of what passes for political opposition that there is a presumption of truth applied to commercial product of monopoly media, no matter how often this presumption has been rebutted. People engaged by these corporations are bound by contract to obey their employers, just like in any other employment relationship. Ironically for monopoly commercial media bona fide lies (in compliance with corporate policy) are usually protected by law and academic scholarship. A back page correction is sufficient to indemnify the publisher or the source/informant for the lie.
  3. H. Fowler, Modern English Usage
  4. Joseph Pulitzer’s campaign to “professionalize” public information; e.g., with the tax-exempting bequest funding the first journalism schools at the University of Missouri (1908) and Columbia University (1912) and the eponymous prize (1917), was foremost an effort to create a cadre of writers who could be employed interchangeably to generate text product for the great newspaper cartels. It was also intended to marginalise the partisan writer (usually from somewhere Left) and discredit him/her as biased and unprofessional. In the so-called Progressive Era of US history (late 19th century), licensed professions were created — e.g., physicians and dentists — ostensibly rooted in modern scientific training but more accurately in monopolistic and anti-democratic political and economic practices. So today’s medical profession is essentially the sales/marketing department of the chemical/pharmaceutical cartels. Professionalisation can be translated as “profitization”.

This News is not fake

Any scanning of the headlines both in standard and critical postings, especially since the 2016 US elections, will suffice. In the interest of brevity, reference is made to almost any pages published concurrent with this remark.

All one of the anonymous speech controllers has to do is introduce some nifty expression and everyone takes it. Inventing such nifty language was once a business known by the sobriquet Madison Avenue. However, this ancient weapon of psychological warfare (against the general population) was industrialized, like mass slaughter, during World War I.1

Now “Fake”; e.g., “fake news” seems to be the slogan of the year. This is bizarre considering that most, if not all, so-called “news” is fabricated; i.e., “fake”. That means it does not tell anything except what the controlling editors (and ultimately the owners) want to have said.2 The ostensible event need not even have occurred.

In the echo chambers of the “Left” everyone accuses the Establishment — to which they are the logical complement — of spreading “fake” news. This implies that there is “news” spread which is not fake; i.e., perhaps “true”, a word to be treated with the greatest of caution.

Fowler3 would certainly have called this “vogue” language. Propaganda (or public relations/ advertising) does not acquire more substance, nor is there more precision in the fashionable term, “fake news”.

Simply sticking to the essence: fake news is just another term, a euphemism, for “lie” circulated by one or more elements of the mass media. The lie loses the quality of active deceit. Moreover the wide adoption of the term marks the user as someone “up to date”, part of the herd or swarm that reports about the reporting, while propagating the specious claim that journalism is something other than the commercial exploitation of voyeuristic or solipsistic text and image production.4

What does “fake” mean? Does the “news” lacks authenticity? Is the underlying event not genuine? Is the source false or fraudulent? Is the dissemination itself fraudulent? Were that the case, then the mere repetition of the “fake” is collaboration in the fraud, witting or unwitting. Although I do not have an attribution (but do not claim one), I recall reading somewhere in a discussion of counterfeiting luxury brands that the owners of the “genuine brand” actually benefit from the counterfeiting because it perpetuates the brand mystique and the quest for the real article among all the “fakes”.

Journalistic “truth”, despite all the raving about free press (i.e. free markets) and integrity, is a luxury product, a commodity, like any other. The more “news” sold but denounced as “fake”, the higher the value of the luxury brands whose “truth” need not be questioned. One of the principal qualities of a commodity is its ultimate and infinite substitutability.

  1. George Creel, How We Advertized America (1920).
  2. The newspapers of record in most countries are private property and always have been, the holy New York Times, the blessed Washington Post, the venerable (once Manchester) Guardian, just to name the most notorious. It is a testimony to the superficiality of critical thought in much of what passes for political opposition that there is a presumption of truth applied to commercial product of monopoly media, no matter how often this presumption has been rebutted. People engaged by these corporations are bound by contract to obey their employers, just like in any other employment relationship. Ironically for monopoly commercial media bona fide lies (in compliance with corporate policy) are usually protected by law and academic scholarship. A back page correction is sufficient to indemnify the publisher or the source/informant for the lie.
  3. H. Fowler, Modern English Usage
  4. Joseph Pulitzer’s campaign to “professionalize” public information; e.g., with the tax-exempting bequest funding the first journalism schools at the University of Missouri (1908) and Columbia University (1912) and the eponymous prize (1917), was foremost an effort to create a cadre of writers who could be employed interchangeably to generate text product for the great newspaper cartels. It was also intended to marginalise the partisan writer (usually from somewhere Left) and discredit him/her as biased and unprofessional. In the so-called Progressive Era of US history (late 19th century), licensed professions were created — e.g., physicians and dentists — ostensibly rooted in modern scientific training but more accurately in monopolistic and anti-democratic political and economic practices. So today’s medical profession is essentially the sales/marketing department of the chemical/pharmaceutical cartels. Professionalisation can be translated as “profitization”.

Saudi Arabia has to be stopped and this time it may get stopped

It appears that the KSA has crossed all lines of decency, if there were ever any.

In the eyes of many in the West, it crossed them not because it has been brutally killing tens of thousands of innocent people in Yemen, not even because it keeps sponsoring terrorists in Syria, (and, in fact, all over the world), often on behalf of the West. And not even because it is trying to turn its neighboring country, Qatar, from a peninsula into an island.

The crimes against humanity committed by Saudi Arabia are piling up, but the hermit kingdom (it is so hermit that it does not even issue tourist visas, in order to avoid scrutiny) is not facing any sanctions or embargos, with some exceptions like Germany. These are some of the most barbaric crimes committed in modern history, anywhere and by anyone. Executing and then quartering people, amputating their limbs, torturing, bombing civilians.

But for years and decades, all this mattered nothing. Saudi Arabia served faithfully both big business and the political interests of the United Kingdom first, and of the West in general later. That, of course, includes Israel, with which the House of Saud shares almost a grotesque hatred towards Shi’a Islam.

And so, no atrocities have been publicly discussed, at least not in the Western mass media or by the European and the US governments, while weapons, worth hundreds of billions of dollars, have been arriving into the KSA, and the oil, that dark sticky curse, kept flowing out.

Was Riyadh enjoying total impunity? Definitely!

But all this may soon stop, because of a one single man, Mr. Jamal Khashoggi or more precisely, because of his alleged tragic, terrifying death behind the walls of the Saudi Consulate in the city of Istanbul.

According to the Turkish authorities, quoted by The New York Times on October 11, 2018:

Fifteen Saudi agents arrived on two charter flights on Oct. 2, the day Mr. Khashoggi disappeared.

Supposedly, they brutally murdered Mr. Khashoggi, a Saudi citizen, and then they used sawmills to severe his legs and arms from the body.

All this, while Mr. Khashoggi’s Turkish fiancé, Hatice Cengiz, was waiting for him on a bench, in front of the consulate. He went in, in order to take care of the paperwork required to marry her. But he never came back.

Now the Turkish nation is indignant.

Ten years ago, even one year ago, everything would have been, most likely, hushed up. As all mass murders committed by the Saudis all over the world were always hushed up. As was hushed up the information about the Saudi royal family smuggling drugs from Lebanon, using their private jets – narcotics that are clouding senses and are therefore used in combat zones and during terrorist attacks.

But now, this is the end of 2018. And Turkey is not ready to tolerate an atrocity by an increasingly hostile country; an atrocity committed in the middle of its largest city. For quite some time, Turkey and the KSA are not chums anymore. Turkish military forces were already deployed to Qatar several months ago, in order to face the Saudi army and to protect the small (although also not benign) Gulf State from possible attack and imminent destruction. In the meantime, Turkey is getting closer and closer to Iran, an archenemy of Saudi Arabia, Israel and US.

It has to be pointed out that Mr. Khashoggi is not just some common Saudi citizen – he is a prominent critic of the Saudi regime, but most importantly, in the eyes of the empire, a correspondent for The Washington Post. Critic but not an ‘outsider’. And some say, he was perhaps too close to some Western intelligence agencies.

Therefore, his death, if it is, after all, death, could not be ignored, no matter how much the West would like the story to disappear from the headlines.

President Trump remained silent for some time, then he became “concerned”, and finally Washington began indicating that it could even take some actions against its second closest ally in the Middle East. The Saudi Crown Prince Mohammed bin Salman has been ‘cultivated’ both by Washington and other Western powers, but now he may actually fall from grace. Is he going to end up as Shah Pahlavi of Iran? Not now, but soon, or at least ‘at some point’? Are the days of the House of Saud numbered? Perhaps not yet. But Washington has a track record of getting rid of its ‘uncomfortable allies.

*****

The Washington Post, in its editorial “Trump’s embrace emboldened Saudi Crown Prince’, snapped at both the ‘Saudi regime’ (finally that derogatory word, ‘regime’ has been used against the House of Saud) and the US administration:

Two years ago it would have been inconceivable that the rulers of Saudi Arabia, a close US ally, would be suspected of abducting or killing a critic who lived in Washington and regularly wrote for the Post – or that they would dare to stage such operation in Turkey, another US ally and a NATO member. That the regime now stands accused by Turkish government sources of murdering Jamal Khashoggi, one of the foremost Saudi journalists, in the kingdom’s Istanbul consulate could be attributed in part to the rise of Crown Prince Mohammed bin Salman, the kingdom’s 33-year-old de facto ruler, who has proved as ruthless as he is ambitious. But it also may reflect the influence President Donald Trump, who has encouraged the Crown Prince to believe – wrongly, we trust – that even his most lawless ventures will have the support of the United States.

“Wrongly, we trust?” But Saudi Arabia and its might are almost exclusively based on its collaboration with the global Western ‘regime’ imposed on the Middle East and on the entire world, first by Europe and the UK in particular, and lately by the United States.

All terror that the KSA has been spreading all over the region, but also Central Asia, Asia Pacific, and parts of Africa, has been encouraged, sponsored or at least approved in Washington, London, even Tel Aviv.

The Saudis helped to destroy the Soviet Union in Afghanistan, and then the socialist and progressive Afghanistan itself. They fought Communism and all left-wing governments in the Muslim world, on behalf of the West. They still do.

Now both the West and the KSA are inter-dependent. The Saudis are selling oil and buying weapons, signing ‘monumental’ defense contracts with the US companies, such as Lockheed Martin. They are also ‘investing’ into various political figures in Washington.

The current alleged murder of a journalist triggered an unusual wave of soul-searching in the Western media. It is half-hearted soul searching, but it is there, nevertheless. On October 2018, the Huffington Post wrote:

By directing billions of dollars of Saudi money into the U.S. for decades, Riyadh’s ruling family has won the support of small but powerful circles of influential Americans and courted wider public acceptance through corporate ties and philanthropy. It’s been a solid investment for a regime that relies heavily on Washington for its security but can’t make the same claims to shared values or history as other American allies like Britain. For years, spending in ways beneficial to the U.S. ― both stateside and abroad, such as its funding Islamist fighters in Afghanistan to combat the Soviet Union ― has effectively been an insurance policy for Saudi Arabia.

It means that the White House will most likely do its best not to sever relationships with Riyadh. There may be, and most likely will be, some heated exchange of words, but hardly some robust reaction, unless all this tense situation ‘provokes’ yet another ‘irrational’ move on the part of the Saudis.

The report by Huffington Post pointed out that:

One of the few traditions in American diplomacy that Trump has embraced wholeheartedly is describing weapons sales as jobs programs. The president has repeatedly said Khashoggi’s fate should not disturb the $110 billion package of arms that Trump says he got the Saudis to buy to support American industry. (Many of the deals were actually struck under Obama, and a large part of the total he’s describing is still in the form of vague statements of intent.)

Keen to keep things on track with the Saudis, arms producers often work in concert with Saudi Arabia’s army of Washington lobbyists, congressional sources say.

This is where the Western reporting stops short of telling the whole truth, and from putting things into perspective. Nobody from the mainstream media shouts: ‘There is basically no independent foreign policy of Riyadh!’

Yes, oil buys weapons that are ‘giving jobs to men and women working in the US and UK factories’, and then these weapons are used to murder men, women and children in Afghanistan, Yemen, Syria and elsewhere; they threaten Iran, Qatar and several other countries. Oil and Western support also help to recruit terrorists for the perpetual wars desired by the West, and they also help to build thousands of lavish mosques and to convert tens of millions of people in Southeast Asia, Africa and elsewhere to Wahhabism, which is an extreme, Saudi-UK religious dogma. (My book Exposing Lies of the Empire. contains important chapter on this topic – “The West Manufacturing Muslim Monsters: Who Should Be Blamed for Muslim Terrorism”).

*****

Despite what many in the West think, there is hardly any love for Saudi Arabia in the Middle East. The KSA is sometimes supported, out of ignorance, commercial interests, or religious zeal, by such far-away Muslim countries like Indonesia and Malaysia, but as a rule, not by those who live ‘in the region’.

Many, if not most, in the Arab countries have already had enough of Saudi arrogance and bullying, by such monstrous acts like the war against Yemen, or implanting/supporting terrorists in Syria, Afghanistan, Libya and elsewhere, or by recent the de facto kidnapping of the Lebanese Head of State, by moral hypocrisy and by turning holy Muslim sites into business ventures with vulgar commercialism all around them, and the clear segregation of the rich and poor.

Many Arabs hold Saudi Arabia responsible for turning an essentially socialist and egalitarian religion into what it has become now, of course, with the determined support from the West, which desires to have an obedient and rituals-oriented population all over the Muslim world, in order to control it better, while plundering, without any opposition, its natural resources. Saudi Arabia is a country with some of the greatest disparities on earth: with some of the richest elites on one hand, and widespread misery all around the entire territory. It is an ‘unloved country’, but until now, it has been ‘respected’. Mainly out of fear.

Now, the entire world is watching. Those who were indignant in silence are beginning to speak out.

Few days ago, an Indonesian maid was mercilessly executed in the KSA. Years ago, she killed her tormentor, her old ‘a patron’ who was attempting to rape her, on many occasions. But that was not reported on the front pages. After all, she was ‘just a maid’; a poor woman from a poor country.

All of us, writers and journalists all over the world, are hoping that Mr. Khashoggi (no matter what his track record was so far) is alive, somewhere, and that one day soon he will be freed. However, with each new day, the chances that it will happen are slimmer and slimmer. Now even Saudi officials admit that he was murdered.

If he was killed by Saudi agents, Mr. Khashoggi’s death may soon fully change both his country and the rest of the Middle East. He always hoped for at least some changes in his country. But most likely, he never imagined that he would have to pay the ultimate price for them.

This time, the Saudi rulers hoped for a breeze, which would disperse the smell of blood. They may now inherit the tempest.

Fact-Checking the Establishment’s “Fact-Checkers”: How the “Fake News” Story is Fake News

It would be an understatement to say that during U.S. President Donald Trump’s term in office, the issue of truth and falsehoods has been a central topic of political discourse. It was a reoccurring issue throughout the 2016 election and has only continued following his unlikely triumph. While naïve liberals who fetishize Trump would have us believe he is the first political figure to ever lie routinely, the real radical departure of the numerous false statements that seemed to propel, rather than hinder, his success was their lack of refinement and unpredictability.

Shortly after Trump took the oath of office, campaign manager Kellyanne Conway infamously used the phrase “alternative facts” while defending Press Secretary Sean Spicer’s dispute of the attendance drop at the inauguration ceremony from predecessor Barack Obama. The low-hanging fruit of Conway’s remarks were widely interpreted as an instance of ‘Orwellian doublespeak’, but the kernel of truth in them was missed by the self-styled ‘respectable’ media of the establishment who hide behind a guise of objectivity and self-appointed expertise while positioning themselves as omniscient arbiters of truth. Spicer’s claim was indeed an obvious lie, yet the general accuracy of Conway’s point was that what one considers ‘factual’ often comes down to worldview.

For the U.S. political establishment, there is only one acceptable worldview. The terrifying significance of Trump’s victory, which defied their so-called expert polling and turned the New York Times forecast needle 180-degrees, is that the propaganda arm of mainstream media has become irrelevant and the American political system is collapsing. Hillary Clinton’s defeat was the culmination of a steady, inevitable process as evening news audiences have been shrinking for years while print media has approached near obsolescence. Simultaneously, more and more people are turning to alternative sources for news and information, albeit some of it unfortunate.

The introduction of the term “fake news” into the political lexicon has been deliberate and is a desperate attempt by the establishment to maintain its grip on the flow of knowledge. It was strategically re-appropriated by Trump himself, who frequently accuses mainstream media of reporting misinformation. Unfortunately, what he deems “fake news” is merely that which undermines him politically or personally, but there is a truth at the core of his crude attacks on the press. Trump’s labeling of mainstream media as “the enemy of the people” was unintentionally accurate only because he was referring to that which undercuts his own power. Nevertheless, it is an appropriate label considering that 90% of mass media — newspapers, magazines, books, radio, television, film studios, and internet news content — is owned by just six conglomerates in General Electric, News Corp, CBS, Disney, Viacom and Time Warner. Some like G.E. are contracted by the Pentagon.

Frankfurt School critical theorists Max Horkheimer and Theodor W. Adorno once wrote of ‘the culture industry’, or how the mechanized standardization of popular culture homogenizes everyday life under capitalism. They would likely cringe at the very idea of the “fake news” phenomenon, which implies that what mass media typically produces is “real.” A billionaire reality television star becoming President is itself the perfect apotheosis of a society governed by a deceptive mass media rendering it docile. Unsurprisingly, the fourth estate was only interested in superficially reducing Trump’s attack on their credibility to his propensity to behave like a despot, something which in their counterfeit world only exists in other countries.

Not only does mass media provide the public with what comic George Carlin called an ‘illusion of choice’, but it acts as a dictation machine for the military-industrial complex. Most notably, virtually all the major news outlets parroted the lies of the Bush administration with its fabrication of evidence that Iraq possessed Weapons of Mass Destruction to sell the U.S. invasion of Baghdad in 2003. Its monumental failure to hold the Bush administration accountable has directly correlated with the rapidly declining public trust in the media ever since. Perhaps the reason the phrase resonated with voters during the election is because it generally acknowledged the enormous gap between the reported world and the actual one they live in. The late Edward S. Herman and Noam Chomsky wrote the definitive manual on the media’s propaganda function and social engineering in Manufacturing Consent: The Political Economy of the Mass Media.

In reality, the phrase “fake news” was inserted into the mass political consciousness by the leading US spy agencies, who clearly favored a Clinton victory, through mass media to stoke fears of ‘domestic disinformation’ being spread on social networks by the Russian government. Just as in the lead-up to the Iraq War, major news outlets have simply repeated, instead of scrutinizing, the intelligence community’s unproven claims that Moscow manipulated voters by spreading ‘disinformation’ to influence the election. As a result, the meaning of the expression has been redefined to discredit any news from a political viewpoint that challenges the status quo. The media’s strings have been pulled by a modern equivalent of the C.I.A.’s Operation Mockingbird influence campaign during the Cold War which appears to have been resurrected for its sequel.

Trump’s opponent, Hillary Clinton, was equally responsible for the idiom’s ubiquitous usage and weaponized it in the same manner — not to identify actual disinformation, but to denote any claims, true or false, which tarnished her image. Clinton dismissed the significance of the WikiLeaks release of transcripts of her speeches to Goldman Sachs and leaked emails which exposed her conspiring with the Democratic National Committee for the party’s nomination against her primary opponent, Bernie Sanders. As a diversion, the genuine leaks were conflated with wild speculation on the right-wing fringe about her health and a debunked conspiracy about a child sex ring at a D.C. pizzeria. However, Clinton and the media never disputed the leak origins and authenticity.

This left the American voter a choice between a far right demagogue speaking to their confused grievances, or a career politician with close ties to a constellation of global financiers who professed to be a champion of women’s rights as she accepted millions from Persian Gulf monarchies that stone women to death for committing adultery. Unfortunately for Hillary, it was easy to tell she would be more comfortable at a Bilderberg Group meeting than at your local feminist bookstore. None of this is to say that Trump isn’t cut from the same cloth, but he expertly cast himself as an outsider up against an elite and they played right into his hand.

The foremost purveyor of truly damaging false news has been liberal flagship, the Washington Post. Owned by the world’s wealthiest man in technocrat Jeff Bezos, whose company Amazon provides the C.I.A. with its cloud infrastructure through a $600 million contract with the Defense Department, it is structurally incompatible for such an asset to ever be critical of the military-industrial complex without working against its financial incentive. Despite that enormous and undisclosed conflict of interest, the Post openly collaborated with the C.I.A. to leak unverified claims by anonymous officials that Russia ‘cyber meddled’ to undermine the democratic process in favor of a Trump victory. In a paradigm of yellow journalism, WaPo published such unreliable hearsay uncritically while keeping the evidence and sources entirely secret. They presented the accusations as if they should be taken at face value based on the intelligence community’s supposed infallibility, as if to wipe clean the collective memory of the Iraq War and the disclosures of the NSA’s global surveillance program.

The Washington Post also promoted PropOrNot, an anonymously written website that labeled dozens of news sites, some of which this author has written for, as “routine peddlers of Russian propaganda.” The site alleges that the spreading of articles by the targeted outlets somehow influenced the election, when the overlapping characteristic between the pages smeared was not support for Donald Trump or opposition to Hillary Clinton, but a critical regard for U.S. foreign policy across the political spectrum. PropOrNot also advertises a section entitled ‘related projects’ which mostly lists similar “fact-checking” websites promoted by Google and Facebook. Pseudo-analysis of news has become another weapon of choice for the establishment’s psychological warfare, but unlike grassroots watchdog groups who hold journalism under a critical microscope such as Media Lens and Fairness and Accuracy in Reporting, “fact-checking” sites mechanically repeat the pre-approved narratives of corporate media without exception.

The referees of truth endorsed by big tech all don the misleading disclaimer that they have no political affiliations or funding from biased organizations. Take, for instance, the highly cited FactCheck.org, owned by the Annenberg Public Policy Center and bankrolled by its endowment, the Annenberg Foundation. The late billionaire publishing tycoon Walter H. Annenberg is perhaps most known for his massive painting collection donated to prominent museums and his financial support for the arts. However, he spent much of his life in philanthropy for the purpose of rehabilitating the family reputation tarnished by his crooked father, Moses “Moe” Annenberg, who was convicted in one of the largest tax fraud cases in U.S. history during the Franklin D. Roosevelt administration.

Moe Annenberg started his career working for newspaper magnate William Randolph Hearst as a distribution manager where he hired mobsters like Lucky Luciano to terrorize their competitors. He later became a media mogul himself using the same illicit tactics until he was indicted for his financial misconduct in 1939. The young Walter Annenberg worked for his father and initially faced similar charges, but they were dropped after the elder Annenberg pleaded guilty and was sentenced to three years in prison. While his father took the rap, Walter Annenberg was free to continue to build the family fortune and eventually a media empire, using his riches to carry on the family legacy of tax evasion in the form of charitable donations. The scam of philanthropy is a practice typical of the ultra-wealthy who mask their influence on global affairs under the phony banner of altruism.

Walter Annenberg later became a diplomat as the U.S. Ambassador to the United Kingdom under President Richard Nixon and was even knighted by Queen Elizabeth II, whom he frequently hosted at the Annenberg family’s 200-acre estate along with numerous other figures in high society, from Ronald and Nancy Reagan to the deposed Shah of Iran, Mohammad Reza. Despite FactCheck.org’s endorsement from Silicon Valley oligarchs as an impartial source, it turns out the Annenberg Foundation also made huge financial donations to the Clinton Foundation over the years and could not be more in the service of the powers that be.

Google also advertises the U.S.-government funded Polygraph.info as a reputable source, a site launched by the C.I.A.’s Radio Free Europe/Free Liberty and Voice of America “news” organizations. RFE/FL is currently based in Prague but was previously headquartered in West Germany during the Cold War where it broadcast its anti-communist propaganda to undermine the Soviet Union. Polygraph.info now serves a similar purpose of information warfare in cyberspace for the revived Cold War 2.0 while presenting itself as a fact-checking source to counter “Russian propaganda” outlets. The C.I.A. openly admitted the true character of Radio Free Europe / Radio Liberty and its origins on its own website:

On June 1, 1949, a group of prominent American businessmen, lawyers, and philanthropists — including Allen Dulles, who would become Director of Central Intelligence in 1953 — launched the National Committee for Free Europe (NCFE) at a press release in New York. Only a handful of people knew that NCFE was actually the public face of an innovative “psychological warfare” project undertaken by the Central Intelligence Agency (CIA). That operation — which soon gave rise to Radio Free Europe — would become one of the longest running and successful covert action campaigns ever mounted by the United States.

Meanwhile, the most dubious of all the advocated verification sites is the popular domain Snopes.com. Snopes was founded in the mid-90s originally as Urban Legends Reference Pages, a site started by an apparently ordinary California couple, David and Barbara Mikkelson, to ‘debunk’ urban folklore. Its moniker comes from a fictional family in the Snopes trilogy of novels by renowned modernist writer William Faulkner. In the series, the Snopes family consists of disturbed relatives who commit murder, pedophilia, bestiality, pornography, racism, theft, corruption and other misdeeds. Thus, anyone ‘exposed’ by the site making claims it determines to be false are likened to a seedy member of the Snopes family.

Despite its bottom-up outward appearance, the site never breaks from mainstream news accounts of events. For example, Snopes maintains that the well-documented allegations of ties between the volunteer rescue organization Syrian Civil Defense, AKA the White Helmets, and terrorist groups participating in the Syrian Civil War is “false.” It does not address that there are multiple videos of White Helmets members facilitating and participating in executions, celebrating with militants of Al-Qaeda’s Syrian affiliate Al-Nusra Front, and dumping the bodies of Syrian Arab Army soldiers. The issue is clearly still a matter of dispute among the journalism community as many credible figures, from Seymour Hersh to John Pilger, have expressed skepticism about the group, but Snopes per usual made a one-sided determination. It may be able to disprove tabloid fodder or the likes of Breitbart and InfoWars, but it is no authority on matters of geopolitics and should not be irresponsibly promoted as such. Maybe it should stick to its roots debunking popular myths about whether or not earwigs crawl into human ears.

Since the site expanded to include politics and world events, it became extremely popular over time and now averages millions of views. In the meantime, Barbara and David Mikkelson have gone through a bitter divorce and the latter has retained control of the site, hiring a team of assistants allegedly from its message board to replace his ex-wife. Although it claims to have a tiny staff, Snopes somehow manages to produce an extremely prolific amount of investigative articles. Given its scope and body of work, it is difficult to believe it is only receiving its financial support from ad revenue and GoFundMe campaigns alone or is as small an operation as it claims. Until recently it was in an ongoing legal battle with Proper Media, an advertising agency with a 50% stake in its ownership which for a time put its future in jeopardy.

Snopes does admit to accepting $100,000 from Facebook for participating in their fact-checking partnership effort following the 2016 election. Rather than being punished for its mishandling of the private information of tens of millions of profiles, the social media giant is being rewarded for its failure to protect user privacy from data breaching. Earlier this year, Facebook announced it had partnered with the Atlantic Council, an elite Washington think tank funded by the U.S. State Department, NATO, foreign governments like United Arab Emirates, weapons contractor Lockheed Martin, oil giant Chevron, and features Henry Kissinger on its board of directors. In a disturbing corporate-state collaboration, Silicon Valley has been empowered to be the umpire of determining authentic news and given the authority to stifle subversive content with no oversight or legal ramifications. All of this begs the question — who fact-checks the “fact checkers”? Who gets to determine what is or what isn’t “fake news”? The ruling elite, apparently.

In her memoir, Hillary Clinton made it clear what constitutes fake news — the release of her emails and transcripts of speeches revealing her corruption and subservience to Wall Street. WikiLeaks’ reporting was never impugned, however, therefore what constitutes “fake news” is actually real news or anything that threatens those in power. Instead of encouraging media literacy, the working class is regarded with utter disdain by the establishment who have made clear they must control what the public is allowed to see because they can no longer be trusted to make the correct decision; i.e., vote for the candidate favored by the military-intelligence apparatus. The true purpose behind the “fact-checking” PSY-OP is to stigmatize criticism of the neocon political establishment as a whole and liken anyone who does so to those who believe global warming is a hoax or that the earth is flat.

Unsurprisingly, it turns out that Trump, like Barack Obama before him, has only expanded the U.S. war machine as President. Unlikely it may seem to many, however, during the campaign he was the ‘peace candidate’ relative to Hillary Clinton. American voters certainly saw it that way and it may have just tipped the scales of the election. Last year, an academic study was released which made the argument entitled Battlefield Casualties and Ballot Box Defeat: Did the Bush-Obama Wars Cost Clinton the White House? Its summary states:

Increasingly, a divide is emerging between communities whose young people are dying to defend the country, and those communities whose young people are not. In this paper we empirically explore whether this divide — the casualty gap — contributed to Donald Trump’s surprise victory in November 2016. The data analysis presented in this working paper finds that indeed, in the 2016 election Trump was speaking to this forgotten part of America. Even controlling in a statistical model for many other alternative explanations, we find that there is a significant and meaningful relationship between a community’s rate of military sacrifice and its support for Trump. Our statistical model suggests that if three states key to Trump’s victory — Pennsylvania, Michigan, and Wisconsin — had suffered even a modestly lower casualty rate, all three could have flipped from red to blue and sent Hillary Clinton to the White House.

One must ascribe to chaos theory to see the forest through the trees in the Trump era. The significance of his victory is that it has been an enormous ‘shock to the system’ where the permitted political space has been opened to anti-establishment narratives across the spectrum. A similar shakeup came ten years ago in the form of the financial crash and not coincidentally the Occupy Wall St. and the Tea Party emerged. While it has the unfortunate side effect of emboldening the worst elements on the far right, it also has the potential to revitalize a left that was, sans Occupy, largely dormant under Obama. Those in power are well aware and the current wave of censorship is not about preventing a Trump re-election so much as it is about neutralizing the left.

The failures of the left throughout the past century, more specifically that of socialism, can also come from within. Social democrats betrayed the working class and participated in the slaughter of WWI until the Bolsheviks ended it. The left of today must be willing to learn from its mistakes more quickly. For example, many have expressed excitement that Bernie Sanders is partnering with Greek economist Yanis Varoufakis to counter the rise of ultra-nationalism worldwide, as far rightist Jair Bolsanaro was just elected the President of Brazil. Yet the social democracy that Sanders and Varoufakis advocate is only the most modest New Dealism to reform capitalism and make it more humane. However relatively progressive it may seem, it will likely prove no match for either the ruling class or the up-and-coming wave of far right populism. The fact that Sanders uses the Nordic model should be enough to know their limitations. Although he wisely jumped ship, it was Varoufakis’ elected SYRIZA coalition in Greece which completely betrayed its constituency by capitulating to EU austerity and NATO expansion. History indicates that only a real alternative in genuine socialism and a working class willing to become militant will the promise of emancipatory politics ever be fulfilled.

Western Media Attacks Critics of the White Helmets

Introduction

The October 16 issue of NY Review of Books has an article by Janine di Giovani titled “Why Assad and Russia Target the White Helmets“. The article exemplifies how western media promotes the White Helmets uncritically and attacks those who challenge the myth.

Crude and Disingenuous Attack

Giovani’s article attacks several journalists by name. She singles out Vanessa Beeley and echoes the Guardian’s characterization of Beeley as the “high priestess of Syria propaganda”. She does this without challenging a single article or claim by the journalist. She might have acknowledged that Vanessa Beeley has some familiarity with the Middle East; she is the daughter of one of the foremost British Arabists and diplomats including British Ambassador to Egypt. Giovanni might have explored Beeley’s research in Syria that revealed the White Helmets founder (British military contractor James LeMesurier) assigned the name Syria Civil Defence despite the fact there is a real Syrian organization by that name that has existed since the 1950’s. For the past several years, Beeley has done many on-the-ground reports and investigations in Syria. None of these are challenged by Giovanni. Just days ago Beeley published a report on her visit to the White Helmets headquarters in Deraa.

Giovanni similarly dismisses another alternative journalist, Eva Bartlett. Again, Giovanni ignores the fact that Bartlett has substantial Middle East experience including having lived in Gaza for years. Instead of objectively evaluating the journalistic work of these independent journalists, Giovanni smears their work as “disinformation”. Presumably that is because their work is published at alternative sites such as 21st Century Wire and Russian media such as RT and Sputnik. Beeley and Bartlett surely would have been happy to have their reports published at the New York Review of Books, Newsweek or other mainstream outlets. But it’s evident that such reporting is not welcome there. Even Seymour Hersh had to go abroad to have his investigations on Syria published.

The New McCarthyism

Max Blumenthal is another journalist singled out by Giovanni. Blumenthal is the author of three books, including a New York Times bestseller and the highly acclaimed “Goliath: Life and Loathing in Greater Israel”. Giovanni describes his transition from “anti-Assad” to “pro-Assad” and suggests his change of perspective was due to Russian influence. She says, “Blumenthal went to Moscow on a junket to celebrate RT’s tenth anniversary. We don’t know what happened during that visit, but afterwards, Blumenthal’s views completely flipped.” Instead of examining the facts presented by Blumenthal in articles such as “Inside the Shadowy PR Firm that’s Lobyying for Regime Change in Syria“, Giovanni engages in fact-free McCarthyism. Blumenthal explained the transition in his thinking in a public interview. He also described the threats he experienced when he started to criticize the White Helmets and their public relations firm, but this is ignored by Giovanni.

Contrary to Giovanni’s assumptions, some western journalists and activists were exposing the White Helmets long before the story was publicized on Russian media. In spring 2015 the basic facts about the White Helmets including their origins, funding and role in the information war on Syria were exposed in my article “Seven Steps of Highly Effective Manipulators“. The article showed how the White Helmets were a key component in a campaign pushing for a “No Fly Zone” in Syria. It confirmed that the White Helmets is a political lobby force.

In spring 2016, Vanessa Beeley launched a petition “Do NOT give the Nobel Peace Prize to the White Helmets“. That petition garnered more support than a contrary petition urging the Nobel Prize committee to give the award to the White Helmets. Perhaps because of that, the petition was abruptly removed without explanation from the Change.org website. It was only at this time, with publicity around the heavily promoted nomination of the White Helmets for a Nobel Peace Prize that RT and other Russian media started to publicize and expose the White Helmets. That is one-and-a-half years after they were first exposed in western alternative media.

White Helmets and Chemical Weapons Accusations 

Giovanni ignores the investigations and conclusions of some of the most esteemed American journalists regarding the White Helmets and chemical weapons incidents in Syria.

The late Robert Parry published many articles exposing the White Helmets, for example “The White Helmets Controversy” and “Syria War Propaganda at the Oscars“. Parry wrote and published numerous investigations of the August 2013 chemical weapons attack and concluded the attacks were carried out by an opposition faction with the goal of pressuring the US to intervene militarily. Parry also challenged western conclusions regarding incidents such as April 4, 2017 at Khan Shaykhun. Giovanni breathlessly opens her article with this story while Parry revealed the impossibility of it being as described.

Buried deep inside a new U.N. report is evidence that could exonerate the Syrian government in the April 4 sarin atrocity and make President Trump look like an Al Qaeda dupe.

Legendary American journalist, Seymour Hersh, researched and refuted the assumptions of Giovanni and the media establishment regarding the August 2013 chemical weapons attacks near Damascus. Hersh’s investigation, titled “The Red Line and Rat Line“, provided evidence the atrocity was carried out by an armed opposition group with active support from Turkey. A Turkish member of parliament provided additional evidence. The fact that Hersh had to go across the Atlantic to have his investigation published suggests American not Russian disinformation and censorship.

In addition to ignoring the findings of widely esteemed journalists with proven track records, Giovanni plays loose with the truth. In her article she implies that a UN investigation blamed the Syrian government for the August 2013 attack. On the contrary, the head of the UN investigation team, Ake Sellstrom, said they did not determine who was responsible.

We do not have the evidence to say who did what ….The conflict in Syria is surrounded by a lot of rumors and a lot of propaganda, particularly when comes to the sensitive issue of chemical weapons.

First Responders or Western Funded Propagandists?

Giovanni says, “But the White Helmets’ financial backing is not the real reason why the pro-Assad camp is so bent on defaming them. Since 2015, the year the Russians began fighting in Syria, the White Helmets have been filming attacks on opposition-held areas with GoPro cameras affixed to their helmets.”

In reality, the ‘White Helmets” have a sophisticated media production and distribution operation. They have much more than GoPro cameras. In many of their movie segments one can see numerous people with video and still cameras. Sometimes the same incident will be shown with one segment with an Al Qaeda logo blending into the same scene with a White Helmets logo.

Giovanni claims “The Assad regime and the Russians are trying to neutralize the White Helmets because they are potential witnesses to war crimes.” However, the claims of White Helmet “witnesses” have little credibility. The White Helmet “volunteers” are paid three times as much as Syrian soldiers. They are trained, supplied and promoted by the same western states which have sought to regime change in Syria since 2011. An example of misleading and false claims by a White Helmets leader is exposed in Gareth Porter’s investigation titled “How a Syrian White Helmets Leader Played Western Media” . His conclusion could be directed to Giovanni and the NYReview of Books:

The uncritical reliance on claims by the White Helmets without any effort to investigate their credibility is yet another telling example of journalistic malpractice by media outlets with a long record of skewing coverage of conflicts toward an interventionist narrative.

When the militants (mostly Nusra/al Qaeda) were expelled from East Aleppo, civilians reported that the White Helmets were mostly concerned with saving their own and performing publicity stunts. For example, the photo of the little boy in east Aleppo looking dazed and confused in the back of a brand new White Helmet ambulance was essentially a White Helmet media stunt eagerly promoted in the West. It was later revealed the boy was not injured, he was grabbed without his parent’s consent. Eva Bartlett interviewed and photographed the father and family for her story “Mintpress Meets the Father of Iconic Aleppo Boy and says Media Lied About his Son“.

A Brilliant Marketing Success

The media and political impact of the White Helmets shows what money and marketing can do. An organization that was founded by a military contractor with funding from western governments was awarded the Rights Livelihood Award. The organization was seriously considered to receive the 2016 Nobel Peace Prize just three years after its formation.

The Netflix infomercial “The White Helmets” is an example of the propaganda. The scripted propaganda piece, where the producers did not set foot in Syria, won the Oscar award for best short documentary. It’s clear that lots of money and professional marketing can fool a lot of people. At $30 million per year, the White Helmets budget for one year is more than a decade of funding for the real Syrian Civil Defence which covers all of Syria not just pockets controlled by armed insurgents.

Unsurprisingly, it has been announced that White Helmets will receive the 2019 “Elie Wiesel” award from the heavily politicized and pro-Israel Holocaust Memorial Museum in Washington. This, plus the recent “rescue” of White Helmets by the Israeli government, is more proof of the true colors of the White Helmets. Vanessa Beeley’s recent interview with a White Helmet leader in Deraa revealed that ISIS and Nusra terrorists were part of the group “rescued” through Israel.

The Collapsing White Helmets Fraud

Giovanni is outraged that some journalists have successfully challenged and put a big dent in the White Helmets aura. She complains, “The damage the bloggers do is immense.”

Giovanni and western propagandists are upset because the myth is deflating. Increasing numbers of people – from a famous rock musician to a former UK Ambassador – see and acknowledge the reality.

As described in Blumenthal’s article, “How the White Helmets Tried to Recruit Roger Waters with Saudi Money“, rock legend Roger Waters says:

If we were to listen to the propaganda of the White Helmets and others, we would encourage our governments to start dropping bombs on people in Syria. This would be a mistake of monumental proportions…

Peter Ford, the former UK Ambassador to Syria, sums it up like this:

The White Helmets are jihadi auxiliaries… They are not, as claimed by themselves and by their supporters… simple rescuers. They are not volunteers. They are paid professionals of disinformation.

Giovanni claims her article is a “forensic take down of the Russian disinformation campaign to distort the truth in Syria.” In reality, Giovanni’s article is an example of western disinformation using subjective attacks on critics and evidence-free assertions aligned with the regime change goals of the West.

Why China will win the Artificial Intelligence Race

Two Artificial Intelligence-driven Internet paradigms may emerge in the near future. One will be based on logic, smart enterprises and human merit while the other may morph into an Orwellian control tool. Even former Google CEO Eric Schmidt has foreseen a bifurcation of the Internet by 2028 and China’s eventual triumph in the AI race by 2030.

In the meantime, the US seems more interested in deflecting the smart questions of today than in building the smart factories of tomorrow.  Nothing embodies this better than the recent attempt by MIT’s Computer Science and Artificial Intelligence Lab (CSAIL) and the Qatar Computing Research Institute (QCRI) to create an AI-based filter to “stamp out fake-news outlets before the stories spread too widely.”

But what exactly constitutes fake news? Does it include media-colluded lies over Iraqi possession of weapons of mass destruction in 2002? Or the egregiously fraudulent Nurse Nayirah testimony a decade earlier? Will the binary logic of “either you are with us or against us” be used to certify news sources?

According to US President Donald J. Trump, fake news is a 24/7 specialty of the CNN, Washington Post and just about every other US mainstream media. The author agrees with Trump on this note. As a futurist, he relies heavily on credible news sources.  The CNN and WaPo therefore rarely feature on the trusted list. At the same time, the author squarely blames Trump for the ongoing US-China trade war. This raises several questions: How will MIT’s AI filtration system treat editorial divergences in the same publication? Will they all be feathered and tarred as “fake news” once a threshold – 150 articles according to the new system – is crossed? How will it evaluate analytical gems in the unregulated alternative media and open source fora? Will social media evidences, planted and generated by a critical mass of trolls, be machine-aggregated to determine true news?

It is also disturbing to note that this digital commissariat is being partly developed by Qatar – a nation that has been routinely singled out for its human rights abuses, use of slave labour, rampant anti-Semitism, runaway fake news and support of jihadi terrorism.  While Qatar and the US media have incessantly accused Syria of wielding chemical weapons, experts from MIT and the UN have adduced otherwise. How will such contradictory reports be treated in the future as more Gulf Arab money pour into MIT and its cohort research institutions?

Not Made-in-America

The future of US artificial intelligence and its emerging technologies is overwhelmingly dependent on foreign talent drawn from Asia and Eastern Europe.  This is unsurprising as 44 million US citizens are currently saddled with a staggering $1.53 trillion in student loans – with a projected 40 percent default rate by 2023.

The US student loan bubble is expanding in tandem with the rising un-employability of young Americans. Fake news overload naturally leads to pervasive intellectual stupefaction.  US policy-makers will ignore this ominous trend, just as they ignore the perennial national slide in global indices that measure the quality of life, education and human capital yields. Can the human mind – incessantly subjected to politicized fairy tales and violent belief systems – be capable of continual innovation?  It is, of course, easier to blame an external bogeyman over a purely internal malaise. Herein lies the utility of fake news; one that will be filtered by a digital nanny and policed by thousands of ideologically-biased fact-checkers.  Funded, of course, by the US deep state!

Somehow no known form of intelligence – artificial or otherwise – has impressed US policy-makers on the national security dimensions of the immigrant-citizen digital divide. High-achieving immigrant communities, for example, may be targeted by irate citizens during a period of intense economic distress, precipitating a reverse brain-drain to their countries of origin.

Even otherwise, the children of highly-skilled naturalized immigrants face a variety of discriminatory practices when they come of age. The most notorious of this is the “Asia fail” intake regimen at vaunted US universities where smart second-generation Asian Americans are routinely sacrificed on the altars of artificial diversity and multiculturalism.  In future, a digital panopticon may selectively reject meritorious applicants based on “inappropriate” social media posts made a lifetime ago.  Any litigation-unearthed bias in the admissions process can be blamed on a technical glitch. Or on the Russians!

Forget about merit! The prevalent imperative is to develop next generation rubber-stampers for the privileged 0.1%.

Divergent Futures

Just like the Internet, the middle classes of a rump US-led Greater Eurabia and a China-led world may have separate trajectories by 2030.  With China experiencing a middle class boom and record numbers of STEM graduates, AI is poised to boost the quantity and quality of a new generation of digital scientists.

At the same time, the search algorithms of Google, YouTube, Facebook and its cohorts are making it harder for individuals to access critical open source data and analyses.  The convenient pretext here is “fake news” and the need to protect society from misleading information.  Why think… when a state-led AI Commissar can do the thinking for you? Ironically, the West routinely charges China for this very practice. How is it possible then for China to develop rapidly and become a leader in AI?  In the core Asian societies, the art of “constructive criticism” incentivises erudition, knowledge and a face-saving approach.  Knowledge is also unfettered by ideology or provenance.

The US, on the other hand, is hopelessly trying to find a balance between its ideological dictates, visceral populism and next-generation knowledge. Talent and AI are sacrificed in the process. According to Google’s Eric Schmidt, “Iran… produces some of the smartest and top computer scientists in the world. I want them here. I want them working for Alphabet and Google. It’s crazy not to let these people in.”

It is even crazier to think that a smart society can be moulded by AI-mediated claptrap and news filters.  This is why China will win the AI race, and Asia will prevail in the Internet of Ideas (IoI).

Marie-Claude Bibeau: Canada’s Minister of International Development and Propaganda

Few are aware that Canada’s aid agency has spent tens of millions of dollars on media projects designed in part to draw journalists into its orbit and shape perceptions of Ottawa’s international policies.

For example, “Find Out How Canada is Back!” was the title of Journalists for Human Rights’ (JHR) Night for Rights fundraiser at the start of October. The keynote speaker at the Toronto Hilton was Minister of International Development Marie-Claude Bibeau.

The minister almost certainly chose not to discuss her government’s arms sales to Saudi Arabia, backing for brutal mining companies, NATO deployments, antagonism towards Palestinian rights, efforts to topple the Venezuelan government, promotion of military spending, etc. Rather than reflect the thrust of this country’s foreign policy the “Canada is Back” theme is a sop to a government that’s provided JHR with millions of dollars.

As part of JHR’s “partnership” with “the Government of Canada and our Embassies abroad”, it has drawn powerful media workers to a worldview aligned with Canadian foreign policy. JHR’s list of international trainers includes CTV news host Lisa LaFlamme, former Toronto Star editor Michael Cooke and former Globe and Mail editor John Stackhouse. It’s also run foreign affairs focused news partnerships with CTV and Global News while the Toronto Star and CBC have sponsored its events. At its annual gala JHR also awards prizes that incentivize reporting aligned with its views.

In addition to the millions of dollars put up for JHR’s international media initiatives, Canada’s aid agency has doled out tens of millions of dollars on other media projects broadly aligned with its “development” outlook. Between 2005 and 2008 the Canadian International Development Agency (CIDA) spent at least $47.5 million on the “promotion of development awareness.” According to a 2013 J-Source investigation titled “Some journalists and news organizations took government funding to produce work: is that a problem?”, more than $3.5 million went to articles, photos, film and radio reports about CIDA projects. Much of the government-funded reporting appeared in major media outlets.

During the war in Afghanistan CIDA operated a number of media projects and had a contract with Montréal’s Le Devoir to “[remind] readers of the central role that Afghanistan plays in CIDA’s international assistance program.” In another highly politicized context, CIDA put up $2 million for a “Media and Democratic Development in Haiti” project overseen by Montréal-based Réseau Liberté (RL) and Alternatives. As part of the mid-2000s project, RL supported media outlets that were part of L’Association Nationale des Médias Haïtiens (ANMH), which officially joined the Group of 184 that campaigned to oust elected President Jean-Bertrand Aristide, who was overthrown by the US, France and Canada in 2004. RL sent Canadian (mostly Québec) journalists to “train” their Haitian reporters for a month. In an article titled “Embedding CBC Reporters in Haiti’s Elitist Media” Richard Sanders writes:

If RL’s Canadian journalists did not already harbour anti-Aristide sentiments before their intensive ‘coaching’ experiences, they would certainly risk absorbing such political predilections after being submerged in the propaganda campaigns of Haiti’s elite media. … RL journalists would likely return home from Haiti armed with newly implanted political biases that could then be spread liberally among their colleagues in the media and hence to the broader Canadian public.

A number of leading Québec reporters interned with ANMH media outlets. Assistant program director for Radio Canada news, Guy Filion was one of them. Even though ANMH outlets barred Haiti’s elected president from its airwaves in the lead-up to the coup, Filion described those who “formed the ANMH” as “pro-Haitian and they are pro neutral journalistic people … as much as it can be said in this country.” Filion also praised the media’s coverage of the 2006 election in which Haiti’s most popular political party, Aristide’s Lavalas, was excluded. In a coded reference to Aristide supporters, Filion noted, “even thugs from [large slum neighbourhood] Cité Soleil were giving interviews on television!”

A smaller part of CIDA’s “Media and Democratic development in Haiti” project went to Alternatives. The Montréal-based NGO created a “Media in Haiti” website and paid for online Haitian media outlet AlterPresse, which aggressively opposed Lavalas. During the 2007 Québec Social Forum AlterPresse editor Rene Colbert told me there was no coup in 2004 since Aristide was never elected (not even the George W. Bush administration made this absurd claim).

What the supposedly left-wing Journal d’Alternatives’ — inserted monthly in Le Devoir with funding from CIDA — published about Haiti was shocking. In June 2005 the individual in charge of its Haiti portfolio wrote an article that demonized the residents of impoverished neighbourhoods targeted for repression by the installed government. In particular, François L’Écuyer denounced community activists Samba Boukman and Ronald St. Jean, who I’d met, as “notorious criminals.” This was exceedingly dangerous in an environment where the victims of police operations were routinely labeled “bandits” and “criminals” after they were killed.

Seven months earlier L’Ecuyer published a front-page article headlined “The Militarization of Peace in Haiti”, claiming “Chimères, gangs loyal to and armed by President Aristide,” launched “Operation Baghdad” to destabilize the country. Echoing the propaganda disseminated by the Bush administration, it claimed the exiled president was profiting politically from violence. Although Alternatives printed numerous articles about Haiti during this period, their reporting omitted any mention of political prisoners, violent repression of Lavalas activists, or basic facts about the coup.

Why does Canada’s aid agency spend millions of dollars on journalism projects designed to draw journalists into Global Affairs’ orbit and shape perception of Ottawa’s policies abroad? Is that really ‘aid’?

Perhaps the title of the cabinet member in charge should be changed to Minister of International Development and Propaganda.