A prime function of the Public Broadcasting Service (PBS) is the reinforcement and perpetuation of the state’s explanations of events, however absurd and discredited. While cultural offerings on PBS are excellent and appreciated, divergence from official governmental narratives is not permitted. PBS is a foremost informational gatekeeper, a role enhanced by its insistence that it represents the best of investigative journalism.
American Experience: “Oklahoma City”
The official stories of the Murrah office building and 9/11 are now enshrined in memorials, the purpose of which is to make a lie the truth.
— Paul Craig Roberts, “The Oklahoma City Bombing After 22 Years”, Global Research, April 20, 2017
Once ‘terrorism’ had been established as the enemy for society to fear, it was to become extended from a force thought of as foreign to one also to be found in the American “Homeland”. A horrifying and convincing example of “domestic terrorism”, the bombing of the Alfred P. Murrah Federal Building in Oklahoma City on April 19,1995, was the event that would solidify this in the public mind and serve to justify increased police powers.
There is considerable evidence that the bombing of the Murrah Building was not as reported and likely involved elements of the government itself. The air force’s explosive’s expert, Brigadier General Benton Partin has presented “irrefutable” proof that the primary damage to the building came from powerful multiple charges positioned at key points on the third floor, not from Timothy McVeigh’s truck bomb of ammonium nitrate fertilizer, a relatively weak explosive. Partin’s letter to a U.S. Senator puts this in summary.
Other explosives experts agree that the building was blown up from inside, and that there was evidence of official coverup. Nevertheless, the 2017 film “Oklahoma City” focuses on the history of neo-Nazi wrath over governmental clashes at Ruby Ridge, Idaho and Waco, Texas, where U.S. citizens were killed. The film is tailored to convince viewers that right wing domestic terrorism was behind the Murrah bombing, period. But if explosives experts are correct, this must be false, as such militants would lack both technical skill and access to the building for such a sophisticated wiring job.
There are also myriad associated questions that have never been dealt with: e.g., the police officer convinced of governmental coverup who died under mysterious circumstances; indication the FBI knew of the plan well in advance; McVeigh’s claim to have been working with an FBI agent; surveillance tapes “lost” by the FBI reportedly showing a man with McVeigh exiting the truck just before the bombing; CIA involvement which would indicate foreign implication; the fact that engineers whose analysis of the Murrah bombing was to become official were also selected to analyze the 9/11/2001 destruction of the World Trade Center, and whose report was to become the basis for Nova’s 2002 “Why The Towers Fell”.
Decision makers at PBS chose to ignore all evidence not in conformity with the government’s preferred version of events and, two decades after the bombing, to solidify the apparently false history.
NOVA: “Why the Towers Fell”
All the proffered evidence that America was attacked by Muslims on 9/11, when subjected to critical scrutiny, appears to have been fabricated.
— David Ray Griffin, “Was America Attacked by Muslims on 9/11?“, September 10, 2008
If, on 9/11/2001, journalists Dan Rather and Peter Jennings, reporting live, could discern the similarity of the collapses of the Twin Towers to intentional demolitions, one assumes the tens of thousands of engineers watching would also be having hunches. Still, there was apparently no concerted statement of the sort from that professional community in the months following. Indeed, it was from the American Society of Civil Engineers (ASCE) that a team of 22 was chosen by FEMA to explain to a shocked Nation, hungry for answers, why the Towers, as well as WTC7, fell as no steel-framed buildings had ever fallen. The resulting NOVA production, “Why The Towers Fell“, covered the team’s Building Performance Study and aired on PBS on April 30, 2002, just seven months after the attack.
The team was led by Gene Corley who, it happens, had also led the investigation of the 1995 bombing of the Alfred P. Murrah building in Oklahoma City, although his team’s finding there was not in accord with that of General Partin, the Air Force’s explosives expert (see above). In any event, “building performance” was the focus of both studies, without any consideration of the possibility that the buildings had been previously prepared for demolition, although there was evidence that such was the case.
While “Why The Towers Fell” can still be seen at dailymotion, only a transcript is available at the PBS website, this for good reason. Since its airing in 2002, a veritable army of engineers and researchers has rendered it more than merely inaccurate. One does not wish to disparage engineers in the video, for certainly pressure was intense to find a politically acceptable explanation for an anxious public. But evidence of the buildings having been prepared for demolition prior to 9/11 is by now overwhelming. Details of why this is so is not the point here, but good sources of information, for those interested, are Architects and Engineers for 9/11 Truth and virtually any of the books on the subject by David Ray Griffin.
What is glaring is the absolute silence of PBS to the accumulated mountain of evidence that the World Trade Center buildings had been carefully prepared for 9/11. In 2015, PBS showcased three Frontline presentations, all in accord with the official story, with this introduction: “Fifteen years ago, Al Qaeda operatives carried out the deadliest domestic terror attack in American history by hijacking four passenger airplanes and crashing two into the World Trade Center, one into the Pentagon and another into a Pennsylvania field”. With a single concise sentence, and a decade and a half after the event, PBS is affirming what is most certainly a false account.
American Experience: Roads to Memphis”
William Pepper, confidante of Martin Luther King, Jr. and King Family attorney, spent decades uncovering the truth about the assassination of King. In 2010, when PBS first aired Roads To Memphis, a fictional account about designated patsy James Earl Ray, Pepper had already published two books (1995 and 2003) revealing the plot to assassinate the good Reverend, a plot involving a complex of governmental, military and underworld players. It would be hard to find a more blatant example of official state television eclipsing truth than the multiple airings by PBS of Roads To Memphis.
Even the most superficial scan of the King assassination record quickly leads to Pepper’s publications and references to them. It is not possible to have missed them. The creators and disseminators of Roads To Memphis were therefore faced with two radically opposing narratives: Pepper’s detailed expose’ on the one hand, which they chose to disregard altogether, and on the other hand the Government’s story line, which Pepper had annihilated. A side-by-side comparison of the two accounts of the assassination leaves one in a state of shock. See here Pepper’s words from the introduction of the The Plot To Kill King, the last of his trilogy:
For me, this is a story rife with sadness, replete with massive accounts of personal and public deception and betrayal. Its revelations and experiences have produced in the writer a depression stemming from an unavoidable confrontation with the depths to which human beings, even those subject to professional codes of ethics, have fallen; ….. Far from being elated that the truth is now with us face-to-face, I feel consumed by a sadness that will be a lifelong emotional presence. One significant factor is facing the reality that one has misjudged the integrity and even the basic decency of individuals, some of whom have been friends or respected comrades over many years. It is a traumatic realization that the use of political assassinations has all too often been successful at removing uncontrollable leaders whose commitment to substantive change of their societies had threatened the ruling forces, and thereby become so intolerable that physical removal remained the only option.
Despite Pepper’s The Plot To Kill King having been published in 2016, PBS was still airing Roads To Memphis a year later.
FRONTLINE: “Putin’s Revenge”
The American propaganda campaign being waged against the Russian Federation and its president Vladimir Putin has reached a stage of perverse perfection…… ‘Putin’s Revenge’ feature[s] so-called experts who outdo one another in stoking anti-Russian flames. PBS can never seem to find any expert who can make counter arguments.
— Margaret Kimberley, “Putin, Trump and Manafort“, OpEd News, November 3, 2017
Following World War 2, the U.S. was relatively unscathed, her manufacturing base for war materials was humming, stakeholders were intent on maintaining it, and a perceived enemy would justify its continuance. Russia; i.e., the Soviet Union (USSR), recently an ally, had an economic system antithetical to capitalism. The Red Scare was born, nurtured and perpetuated throughout a Cold War that was to last until 1989. But Russia had suffered Nazi invasion, and with a death toll of perhaps 20,000,000, had neither ability nor reason to threaten the U.S. in 1945. Looking back, it is unpleasant to contemplate the extent to which the Cold War was U.S. driven.
With media reinforcing the ‘Russia=Enemy!’ meme, transition into the “new” Cold War has gone smoothly, but Frontline’s “Putin’s Revenge” is a remarkable 2-hour distortion of the “Russiagate” fiasco. Centered on a claimed Russian “hacking” of 60,000 emails of the Democratic National Committee, allegedly to assist the Trump presidential campaign, it begins with the CIA’s John Brennan calling the hacking “tantamount to war”, and it never departs that focus.
As the commanding voice of narrator Will Lyman details Putin’s “lifetime of grievances” against American humiliations, the Russian’s face is shown in still shots chosen for sinister innuendo. Putin, viewers are told, “weaponized” information and sent hacked DNC emails to Wikileaks to expose Clinton’s undermining of the Sanders Campaign, thereby disuniting Democrats and aiding Trump. Along the way, there is deceptive reporting of a Russian “invasion” of Crimea, and suggestion of collusion between Putin and Trump. Commentary from governmental figures is reinforced by mainstream journalists from the NY Times, New Yorker, Washington Post, Bloomberg News, and Politico.
The two hours of “Putin’s Revenge” aired on October 25 and November 1, 2017 despite an organization of intelligence professionals having already disputed hacking claims in late 2016 and published their technical assessment by July, 2017 that the DNC emails, rather than hacked, had been downloaded; i.e., “leaked”, from within the DNC itself. It strains believability that Frontline’s researchers could have missed these. Moreover, Julian Assange had long insisted that neither Russia nor any other state party was Wikileak’s source of the DNC emails, as Frontline had to have known. Records indicate that the Clinton Campaign, aware that incriminating emails were about to be made public, conspired with the DNC and media to divert attention onto a fabricated “Russian hack”, for which there was never evidence.
Ever since the U.S. promised the Soviets in 1990 that NATO would not move “one inch to the east” of Germany, NATO military activity has expanded along Russia’s western border from the Baltic to the Black Sea, the expanse over which Napoleon and Hitler carried out their respective invasions. That is the geographic equivalent of Russian bases being placed along a U.S. border. Crimea is the site of Russia’s naval base on the Black Sea, where U.S. warships have been cruising in recent years, and the northeast quadrant of which is Russian coastline. Base and coastline had to be protected without delay. In response to NATO-driven regime-change in western Ukraine, a referendum for union with Russia (not covered in the Frontline piece) was held in Crimea. Russian blood and culture dominate in Crimea, and the referendum passed by a reported 95%, hence Russia’s annexation. Frontline’s depiction of an “invasion” is beyond merely simplistic and is illustrative of why Americans are so ignorant of world affairs.
American mainstream journalism is now a tapestry of lies of omission. PBS, however, is a standout in this area, because its prominent, “in depth” productions on Nova, American Experience and Frontline are considered widely to represent the best investigative journalism available. It is this reputation that places PBS above the networks in the public mind. As PBS has willfully avoided specific areas for exploration, and has excluded truths that a governmental power structure does not want aired, it has made itself a powerful tool in the rewriting of history.